Editing

Photography

Mixed Media

Treatments

Editing

Photography

Mixed Media

Treatments

Editing

Photography

Mixed Media

Treatments

'MORE OF LIFE BROUGHT TO LIFE' | CAMPAIGN

'MORE OF LIFE BROUGHT TO LIFE' | CAMPAIGN

Bonaparte
The New York Times x Mackenzie Sheppard

Bonaparte
The New York Times x Mackenzie Sheppard

About

About

For this project I had the opportunity to wear multiple hats and contribute to various aspects of the production.

As the post-production co-ordinator/post-production tech, I played a crucial role of creating a smooth and seamless workflow between New York, Berlin, and Tokyo, ensuring that the editing process ran smoothly via live remote sessions as well as establishing remote server solutions for syncing and storing daily raw footage. This provided the editors the ability to seamlessly access a live database of constantly updating footage.

Additionally, I assisted the motion graphics artists and animators by filming and creating assets in-house.

It was an epic experience to be involved in different areas of the project and I am immensely grateful to have worked with such talented individuals and contribute to the projects overall success.

Directed by Mackenzie Sheppard
Edited by David Gesslbauer (Gravity)
Edited by Shane Lester (Sneakers)

Credits continued on Vimeo.

For this project I had the opportunity to wear multiple hats and contribute to various aspects of the production.


As the post-production co-ordinator/post-production tech, I played a crucial role of creating a smooth and seamless workflow between New York, Berlin, and Tokyo, ensuring that the editing process ran smoothly via live remote sessions as well as establishing remote server solutions for syncing and storing daily raw footage.


This provided the editors the ability to seamlessly access a live database of constantly updating footage.


Additionally, I assisted the motion graphics artists and animators by filming and creating assets in-house.


It was an exciting experience to be involved in different areas of the project and I am immensely grateful to have worked with such talented individuals and contribute to the projects overall success.


Directed by Mackenzie Sheppard
Edited by David Gesslbauer (Gravity)
Edited by Shane Lester (Sneakers)

Credits continued on Vimeo.

For this project I had the opportunity to wear multiple hats and contribute to various aspects of the production.


As the post-production co-ordinator/post-production tech, I played a crucial role of creating a smooth and seamless workflow between New York, Berlin, and Tokyo, ensuring that the editing process ran smoothly via live remote sessions as well as establishing remote server solutions for syncing and storing daily raw footage.


This provided the editors the ability to seamlessly access a live database of constantly updating footage.


Additionally, I assisted the motion graphics artists and animators by filming and creating assets in-house.


It was an exciting experience to be involved in different areas of the project and I am immensely grateful to have worked with such talented individuals and contribute to the projects overall success.


Directed by Mackenzie Sheppard
Edited by David Gesslbauer (Gravity)
Edited by Shane Lester (Sneakers)

Credits continued on Vimeo.

Troy Tyler

London

Troy Tyler

London

Troy Tyler

London